While in
In nineteenth century
Dracula, written in 1897, shows evidence of these perceptions in that time period. In her journal entry from July 24, Mina Murray describes her favorite spot in
“Between it and the town there is another church, the parish one, round which is a big graveyard, all full of tombstones. This is to my mind the nicest spot in
Mina Murray and Lucy Westenra subsequently spend much time here throughout the story. It is evident from this writing that Bram Stoker was accustomed to these positive perceptions of graveyards within the time period.
While cemeteries were often depicted as places of contentment, they have also been painted in a more sinister light. Within stories of the dead (and undead), it is almost impossible to not encounter the final resting places of many beings in the settings and plots. This can be seen in Dracula when Lucy resides and is destroyed in a tomb. It is also seen in J.S. Le Fanu’s Carmilla when Carmilla is found and destroyed in a graveyard. We are all familiar with scenes of hands arising from beneath the soil of a grave in classic horror films. The cemetery will most definitely play an important role in horror for a long time to come. Because we often associate cemeteries with the spiritual world, stories of the dead, undead, and ghosts can always begin and end in the cemetery.
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